Fall Fog

Yesterday was a really foggy day here in Caledon. We often get days like this in the fall, although they usually come in October. I like the way fog can simplify the background in a photo and add an air of mystery. I started out on a nearby country road…

Road to Nowhere

Just down the road is a golf course with dry-stacked stone walls meandering over the hills. I processed these to try to convey the almost deafening quiet of this place in the thick fog.

The Moors (part 1)
The Moors (part 2)

Next stop was a cornfield. It reminded me of a Steven King short story I read many years ago… I started to see this place in a darker, creepier context.


Just up the road from the cornfield, a U-pick orchard loomed up out of the fog. With their arthritic branches scratching at the fog above, the apple trees seemed even more ominous than the cornfield.

One Green Apple
Halloween's End

Childhood’s End

The old buildings that I photograph are often full of artifacts of the lives once lived there. For me personally, often the most poignant of these are the ones related to children. An old crib… a broken toy… telling stories of when there was vibrant life in this abandoned place. I can almost hear the echoes of the baby’s cries and the child’s laughter…

I think these photos have enough in common to merit giving them their own album in my online portfolio. The album is called “Childhood’s End”. Here are a couple of the photos from the album:

Pick Me Up?
Nativity Scene
Empty Crib

Yellow, Orange and Black

There are a lot of maple trees around my house. Each October the area is ablaze with yellows, oranges and reds. Except this year. This year the reds and oranges were noticeably absent for some reason. The unbroken sea of brilliant yellow in the trees was both novel and beautiful.

Here is a shot of one of the trees I took while experimenting with the Orton effect.

Pretty in Yellow

Moving down to the pond, I at last found a spot of red and orange, floating on the dark water.

Red, Orange and Black

Defined Spaces

A few posts ago, I mentioned that I was working on some new ideas. A vine-covered wall in Fergus started me wondering about shape and space. If I removed the building behind the vine, would the vine alone be sufficient to define the space? Would it change how I perceived the space? I thought it might be best to start out with a fairly recognizable shape, so this first one uses a very traditional stone house.

I started with high-res composites of two sides of the house.
The Green House